角度 | 创作者眼中的时尚摄影

●● ●

　　带有时尚符号的摄影作品不再只是一味的推陈出新，从摄影家以多角度的人物构思夹带着多种主义的艺术升华，是人物内心对于时尚从生活改变的最深处沉淀。

子弹

镰刀

玉米

填饱饥饿的肚囊才有能力去剥削战斗

　　Bandelier, Corn and Sickle by Tina Modotti, 1927

人总在原始中得到恐惧

　　在贪婪中学会储存

　　迷惘中能够创作灵魂

　　把那些看似恶心的都变成光线的内脏

　　外表那么美

　　内里能过去就好

　　Underwater Swimmer Esztergom by André Kertész, 1917

　　Patricia, New York by Josef Breitenbach, c. 1942

　　Christ or Chaos? by Walker Evans, 1942

　　Migrant Mother by Dorothea Lange, 1936

　　A Bee on a Sunflower by Edward Steichen, c. 1920

　　Nude by Edward Weston, 1936

　　Humanly Impossible (Self-Portrait) by Herbert Bayer, 1932

　　Igor Stravinsky by Edward Weston, 1935

　　Dancer, Willem van Loon, Paris by Ilse Bing, 1932

　　Dora Maar by Man Ray, 1936

　　Glass Tears by Man Ray, 1932

　　Nusch Eluard by Man Ray, 1928

　　Rayograph by Man Ray, 1923

　　George Washington Bridge by Margaret Bourke-White, 1933

　　Solarised Man by Maurice Tabard, 1930

　　Salvador Dali, New York by Irving Penn, 1947

“Guy Bourdin revered the artist so much that he persistently knocked on his studio door until Man Ray finally gave in and began mentoring the young reactionary”

这是美国艺术家曼·雷用镜头关于时尚的一次深刻剖析