构图的目的是把构思中典型化了的人或景物加以强调、突出，从而舍弃那些一般的、表面的、繁琐的、次要的东西，并恰当地安排陪体，使作品更强烈的展现。 下面这些作品选择以复杂的画面元素构成为主，如何把多点变得有序，通过元素的组合构成几何画面，使得同框的事物恰好都处在那个决定性的瞬间。 用布列松的说法是："我对摄影的纪实层面从来就不感兴趣。" 他认为：摄影只有超越现实的表达而成为一种新的现实之物时，摄影才真正成为一种自在自为的艺术。 Photography, he thinks, is only an expression that transcends reality. When it becomes a new reality, Photography has truly become an art of self possession.
by Diogo Tovar
Children singing in the rain by Barbara Morgan, 1950
Cristian Movila
Edith Tudor-Hart
Elliott Erwitt, Pisa, Italy, 1976
Ferdinando Scianna, 1982
Gianni Berengo Gardin
Hans Baumgartner
Jacob Aue Sobol, Ulaanbaatar, Mongolia, 2012
Kenneth Josephson
Le Beguinage de Bruge by Edouard Boubat, 1954
Marc Riboud, China, 1957
Michael Ruetz
Morten Krogvold
Paul Strand
Raymond Depardon, New York City, 1982
Richard Sandler
Richard Sandler
Robert Frank
Sebastian Luczywo
Szasz Janos
The Hands of John F. Kennedy by Cornell Capa
Tomas Pa
Tony Ray-Jones
William Vanderson |
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